Thursday, September 15, 2011

One of the Group of seven

Arthur Lismer

Imagine a glorious full moon coming over the tops of the spruce, big and yellow, shedding a mysterious light on everything... the moonlight had colour, you could see to paint and be able to appreciate the colour of things. (Arthur Lismer)

unsatisfaction

emily carr self portrait
You always feel when you look it straight in the eye that you could have put more into it, could have let yourself go and dug harder. (Emily Carr)

de Kooning

Worth the Trip am sure......( wish I was going)

de Kooning: A Retrospective

September 18, 2011–January 9, 2012 at MOMA
This is the first major museum exhibition devoted to the full scope of the career of Willem de Kooning, widely considered to be among the most important and prolific artists of the 20th century. The exhibition, which will only be seen at MoMA, presents an unparalleled opportunity to study the artist’s development over nearly seven decades, beginning with his early academic works, made in Holland before he moved to the United States in 1926, and concluding with his final, sparely abstract paintings of the late 1980s. Bringing together nearly 200 works from public and private collections, the exhibition will occupy the Museum’s entire sixth-floor gallery space, totaling approximately 17,000 square feet. 
http://www.moma.org/visit/calendar/exhibitions/1149

What you do when you paint, you take a brush full of paint, get paint on the picture, and you have faith. (Willem de Kooning)

Wednesday, September 14, 2011

Intimacy

Mark Rothko
The reason for my painting large canvases is that I want to be intimate and human. To paint a small picture is to place yourself outside your experience, to look upon an experience as a stereopticon view or with a reducing glass. However you paint the larger picture, you are in it. It isn't something you command. (Mark Rothko)

Milton Avery ---and I am in awe

Milton Avery Autumn

I try to construct a picture in which shapes, spaces, colors, form a set of unique relationships, independent of any subject matter. At the same time I try to capture and translate the excitement and emotion aroused in me by the impact with the original idea. (Milton Avery)
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